June 28, 2020

QuiltCon 2020 Mini Quilt Swap!


Details:
MQG QuiltCon 2020 Mini Quilt Swap
Pattern: Original Design by Me
Finished Size: 22 x 22 inches
Finished in Early February 2020

I participated in the mini quilt swap with the Modern Quilt Guild earlier this year, via mail since I didn't go to QuiltCon this year. This is my second quilt finish of this year and I don't know if I should count mini quilts as part of my goal for finishing 12 quilts this year. I'm going to not count it right now but I'll reserve the right to change my mind in case I don't make it to 12 quilts by the end of the year!

Some of the things my partner told me that inspired my design for this quilt are that she likes Caribbean colors and the ocean. I can be kind of literal sometimes - I immediately though of waves. I wanted to do something original (last year for the mini quilt swap, I used a pattern, which I don't think is a bad thing, but I still wanted to do an original design) so I sketched out a few options and then started cutting fabric! My partner mentioned she likes Alison Glass (which I do too!) so I used fabrics from the Sunprints 2019 collection and also a Lizzy House constellations print, which served as the base for my choice of colors from the Caribbean spectrum. All the solids are scraps from another quilt I was working on; it was so perfect that they were in the colors my partner likes and coordinated with the prints I chose. I also used some Craftsy ombre charm squares I had, and a few different low volume fat quarters. The triangles are cut small so it's hard to see the ombre fabrics, but I do think they add a sense of movement to the quilt.


I straight line quilted it with both a variegated thread and white thread, with the quilting lines pretty close together. 

I'm pleased with how this turned out. I'm thinking I would like to make another quilt with these colors, so I kept all my scraps from this quilt together to use in the future. I always get so nervous making a quilt for someone else, because what if they don't like it? But my partner did seem to like it, and even asked me what fabrics I used because she wanted to make a bed quilt using similar colors, so I think that's a pretty good sign that it was well received. 


June 18, 2020

100 Days Quilt!

My first quilt finish of 2020!

We're standing on chairs to take this picture!

Details:
Pattern: Kinship Fusion Sampler by Angie Wilson and Bec Proschogo
Fabric: Square One Farmer's Market FQ Bundle by Craftsy
Finished Size: 72 x 92 inches (post wash: 68 x 87.5 inches)
Finished January 24, 2020

Of course, most of the work was done in 2019 when I participated in Gnome Angel's 100 Days 100 Blocks. I've followed that sewalong for a few years but never joined in until she announced a new pattern, the Kinship Fusion Sampler, and I just could not resist! (I really have a weakness for sewalongs and block of the month programs.) And the best part is, I really did it! I posted one block a day for 100 days. And then I finished the quilt! I'm super proud of myself, in case you can't tell!

The fat quarter bundle separated into color groups. I didn't use the two gray prints but I did choose a gray solid for the background color.

I had bought a fat quarter bundle of the Square One Farmer's Market fabric from Craftsy with no plans or projects in mind, I just really loved the colors and prints in the line, and I thought this would be the perfect opportunity to use it. I envisioned doing an ombre quilt but I didn't want to stress over the perfect fabric placement, so I did a some quick math and figured out how many blocks I would make out of each color (there were 18 total fat quarters: 5 purple/pinks, 5 red/oranges, 5 yellow/greens, and 3 blues, so I figured my ratio of 100 blocks would be 28 blocks each for the purple/pink, red/orange, and yellow/green groups, and 16 blocks for the blue group.) I made a checklist so I could keep track of how many blocks of each color group I made, but then after totally overthinking that part, I just made blocks within each color group and didn't stress about it. I did mix in some fabric from the other color groups sometimes to help with the ombre, but didn't over plan it. It got harder as I made more blocks because I was running out of fabric so I incorporated some solid scraps that I had, and I ended up making more red and purple blocks and less blue blocks, just based on the fabric I had available.

The back is made from lengths of some of my favorite fabrics from this line.

The pattern comes with two different layout options which are both great, but I wanted to keep the blocks individualized so I thought I came up with a different layout option, but once I drew it out on graph paper to make sure I had a good balance of colors, I realized that I had just used the layout on the cover of the quilt pattern! So much for being original!

I like to piece the quilt label into the back of the quilt.

Sewing 100 different blocks is a big project! The 100 Days 100 Blocks sew along runs from July 1st through October 8th. During the 100 days, I went to a quilt workshop and had to stay in a hotel. Since I was all alone and had my sewing machine with me, I worked on some of these blocks in the evening in my hotel room. It was so peaceful. I have two young boys and don't generally travel much, even before this whole shelter in place thing started. I still very fondly think about two quiet nights in a hotel, all to myself, sewing and watching reruns of Friends! There's a joke among quilters that goes something like, "On Saturday nights, I like to party! And by party I mean stay home and sew." And that joke is so accurate for me!

When I'm trying to find the perfect layout, I'll send pictures to my sisters to get their input. I have to push aside all the toys to make room for my design floor.

Once I had all the blocks finished in early October, I needed a little break, and there were a few baby quilts to make, so I put this aside until November. I really wanted to finish in 2019 since it was the 2019 100 day project, but finding sewing time in November and December last year was tough, and I was also being a little bit of a perfectionist about this quilt. Once I had the blocks made, I got nervous I would mess it up somehow when I put the top together, or quilted it. When I get stressed about a quilt, I tend to not work on it. Putting the top together wasn't inherently difficult, it was just hard because I wanted it to be perfect. It was tough to decide how to quilt it - I wanted an overall quilting pattern because this quilt is all about the patchwork for me (most of my quilts are about the patchwork, and the quilting is just something I have to do to get a finished quilt.) I have quilted several quilts with lines of serpentine stitch which I love to do because it is both easy and looks great, and for someone who doesn't love the quilting part of quilting, that's a great combo. But I was worried that wouldn't be special enough for this quilt that I had put so much time and energy into! In the end, I did decide to do the serpentine stitch because finished is better than perfect, and I didn't want to let this sit any longer. In the end, I'm glad I did. I have a finished quilt and it is practically perfect. The flow of colors in the ombre effect works for me, and the quilting doesn't district from the patchwork and gives it a great texture.

Texture!

The sashing and binding are both a grey solid from Craftsy. I quilted this and finished the binding in January. I had to wait until another adult visited our house before I was able to take a picture, because the quilt is so big it took two people to hold it up! I'm pretty sure this is the biggest quilt I've ever made! I used Warm and Natural batting and I love the weight of it.

I actually made the heart block (block 100) first, just to make sure I had enough fabric for it because it was my favorite and I knew it would be in the center of my quilt.

I am just so happy with how this turned out! It's so colorful and I love the blocks and just looking at it makes me happy. Who could ask for anything more?